A chance encounter led me to this Julia Child-approved tool
Plus, a clever tote that goes from market to picnic to outer space.
Hi all, I hope you enjoy this week’s flurry of topics!
Also, this post is FREE. If you like it, please share it!
Yours in Julia nostalgia,
Amanda
The Results of the Poll
In a recent post, I asked you whether you’d like me to do a deep dive on tile or on bath hardware. It was a tight race! Tile won by a hair. So keep an eye out for my treatise on tile soon.
’Tis the Season
As we enter the high season for outdoor cooking and entertaining, I put together a dedicated sourcing list, most of which is open to all—including trays, folding chairs, vintage lanterns, and shatterproof plates. Here are some of my faves:
The full slate can be found on my Rec League.
A few weeks after we moved to Ojai, I was headed to our mailbox when I spotted a couple who walked by almost every day, the woman sometimes carrying a set of swinging weights.
They stopped to say hello. I got talking to Bob and Susanne, and learned they were entrepreneurs. Bob was born in Paris where his mother, Betty Evans, had been studying cooking around the same time that Julia Child was there doing the same. Although they didn’t meet in Paris, Betty and her husband Gordon later became friends of Julia and Paul Child, bonding over their Paris years.
“Julia named a tool that I designed,” Bob said proudly. He had created a cast aluminum tool that local fishermen could use to pluck and pound the abalone they’d pulled from the waters off Santa Barbara, and he had it made in his grandfather’s foundry.
When Betty showed the tool to Julia, she slapped it in her palm and said, “This is not a plucker and pounder, it’s a whackerspoon.” She later used the whackerspoon to make steak Diane on an episode of “The French Chef.” Its handle is ribbed so it fits nicely in your grip, and its pleasing weight enables you to flatten chicken breasts, crack spices, smash garlic cloves, and crush olives or nuts. The Whackerspoon is available here.
My friend Alex came by with this insulated wheelie bag by Hulkan that looks like it’s ready for the International Space Station. He said, “it’s like the IKEA bag’s cooler cousin.” It’s a super well-thought-out design for farmers’ market shopping, picnic toting, and any other time you need to transport something heavy or cold. The spinner wheels are smooth and nimble (like the ones on a great suitcase) and the handles have thick plastic covers so they won’t get gross. There’s one loop for pulling the bag like a wagon, two for carrying it, and thick straps on the sides for hauling it up stairs. Then, the whole thing folds flat. And it’s all wipeable. Oh, and it comes in other colors, too, but I’m kind of into this space cube.
Did I mention I’m writing a book based on Homeward? And that I’d love to include your voices/opinions/anecdotes in the book? I’m going to ask you questions and I’d love to hear from you in the comments below. (FYI: If you comment, you give me permission to publish your comment in part or in whole.) Don’t worry, I’m only going to use the most colorful and detailed comments (and am only using first names), so fire away!
Here’s my first question: When does a home feel done… or does it ever?
When we left Ojai for the summer, there was just a single piece of art up in the house, a fresco of Tad as a child that’s been in his family for 60-ish years. We don’t really have a plan for art yet. This is partly because we’ve put our checkbook in the freezer for a while. And partly because after making a flurry of design decisions, we were looking forward to treating art more like a journey.
Still, I have to admit I craved having some walls feel less bare. Our designer Frances introduced us to the photographer David Hartwell, who did a series of painterly photos of weeds and flowers from his back garden in Pasadena. We fell hard for a photograph of a trumpet vine. We also discovered The Framing House, a wonderful shop in L.A., who advised us by phone on the best way to frame it. The photo is going in a guest room.
I’ve had the book Pakistan wedged into my not-yet-shelved book stack for many months. I was looking for a new summer side dish, and found it in Afghanistan by way of Pakistan.
Maryam Jillani, the author, reminds us that Pakistan, which is situated between Afghanistan, China, India, and Iran, has long been a conduit not only of trade, but of cuisines. She writes about nanhkatai, a shortbread popular across Bangladesh, India, and Pakistan; Punjabi chicken with chickpeas; and the Afghan-style fried eggplant in yogurt. Jillani’s book is a reminder that every cuisine is interconnected, and that the most interesting dishes often emerge when they overlap.
One disclaimer: I subbed coconut yogurt for whole milk yogurt. It was great but the choice is yours.
Borani Banjan | Afghan-Style Fried Eggplant in Yogurt
Serves 4 to 6 as a side
Ingredients:
2 cups full-fat yogurt, lightly whisked (I used coconut yogurt)
1 tablespoon lemon juice
¾ cup vegetable oil, plus more as needed
1½ pounds Italian eggplants or baby eggplants, cut crosswise into ¼ inch slices
1 large yellow onion, halved and thinly sliced
1 teaspoon garlic paste
4 Roma tomatoes, cut crosswise into ¼ inch slices
1 teaspoon Kashmiri red chili powder, plus more for garnish
1 teaspoon salt, or to taste
½ teaspoon turmeric powder
1 bird’s eye chile, finely chopped
1 teaspoon dried mint (optional)
Instructions:
Place the whisked yogurt in a flat serving dish and stir in the lemon juice. Set aside.
In a large skillet, heat ½ cup of the oil until it begins to shimmer. Add the eggplant, making sure not to crowd the pan. Fry the eggplant for 1 to 2 minutes per side on medium heat until browned evenly, lowering the heat and adding more oil as needed. Transfer the fried eggplant to a plate lined with a paper towel to absorb excess oil.
In a clean large skillet, heat the remaining ¼ cup oil until it begins to shimmer. Lower the heat to medium-low and add the onion. Fry for 7 to 10 minutes until translucent. Add the garlic paste and fry for about 30 seconds, until it no longer smells raw, taking care not to let it burn.
Increase the heat to high and add the tomatoes, chile powder, salt, turmeric, and chile. Cook for 5 to 7 minutes, stirring frequently, until the tomatoes soften. Lower the heat to medium and cover the saucepan with a lid. Let the sauce simmer for 5 minutes until the tomatoes have cooked down.
Carefully add the fried eggplant. Turn the heat to its lowest setting, re-cover the skillet, and let steam for 10 minutes.
Carefully place the eggplant and tomato sauce on the yogurt. Garnish with additional chili powder and the dried mint (if using).
Here’s how I made out:
If anyone else needs to see this recipe—or a cosmic carry-all, or a niche-but-very-necessary whackerspoon—please feel free to share this post!














A home never feels done, but there are moments when it feels right. And right is better than done.
Done implies finished, static, closed. But a home that’s truly lived in keeps revealing itself. You move a lamp and suddenly a corner wakes up. You finally hang the thing you’ve been leaning against the wall for two years and the whole room exhales. Those aren’t signs you were failing before. They’re signs the house is talking to you and you’re finally listening.
So no. It’s never done. But there’s a moment, usually after something hard, a renovation, a move, a loss, when you walk in and it holds you. That’s the feeling people are chasing. Not completion. Just belonging.
I think I need a whackerspoon.
Meanwhile, my take on when a home feels "done". When my son was in third grade, his amazing teacher suggested he try a fountain pen to fix his (truly unreadable) handwriting. My first reaction was to complain to my mom about who in their right mind would give a 10 year old a fountain pen and a bottle of ink in a house of pale carpets and a beige couch. My mom suggested to me that one day in the future I would move a piece of furniture, find an ink stain and it would make me smile. She was right. A home isn't finished when everything looks perfect. It's finished when the pencil marks on the doorframe mean more than fresh paint — and an old ink stain becomes a love letter from a life well lived.